An implementation of Daniel Shiffman's Perlin Noise fields tutorial in openframeworks. (go support his patreon)

The code is here.

A collaboration with http://themassifcentral.co.uk/ creating a live editor to convert GPX files from bike races into works of data art. The software allows the team to create their data art pieces in a much faster manner. It allows them to control every aspect of their visualisations, from landmark placement to font sizes, all drawn in real time and stored in the browser's local database.

A bunch of skulls that move creepily

made using three.js and simplex noise

check it out here

A javascript / HTML5 toy that uses your camera to make the cover of the famous Joy Division Album, which in turn is a visualisation of the CP 1919 pulsar

Try it here

My first collaboration with Blackwater, a minimal techno label from London / Italy. I used one of my video synthesisers to create a dark sea that elaborates a conversation between the dark techno song and the expanse of sound.

My second commission from Cheapbeats, it captures the spirit of traditional Japanese summer festivals but brings them up to date by borrowing aesthetics from the current hyperpop wave.

Made in blender

Listen to the album here:

Cover Art for Chiptune artist HarleyLikesMusic's album titled "Game Changer". 3D scan of the artist made with a Kinect 2, arranged and processed in blender, with postprocessing made on Photoshop.

The destruction in 2007 of the Chinese Fenygun 1-C weather satellite and the accidental collision in 2009 of the American Iridium 33 into the Russian Kosmos-2251 craft, have generated over 150,000 known debris objects that orbit the Earth at high speed on low earth orbits. These threaten vital communications and navigational infrastructure, and often intersect the orbit of the ISS several times a day, at speeds upwards of 7km/s. 

This piece shows 15112 human-made objects larger than 10cm currently orbiting the Earth as tracked by the American agency space-track.org, highlighting the extent of human influence as it reaches into space, a sign of the unrelenting expansion of the anthroposphere into the universe.

Orbital Debris was created as a commission for the Digital Shoreditch 2015 digital exhibition.

The piece is written in openFrameworks, and the source is available here. 

A live Ident / live visual reel for Berlin's #UNIT Festival, displayed as an installation at the entrance, as well as between speakers and acts. It uses Three.js to render a delaunay-triangulated point cloud generated from the attendant's publicly available facebook profiles.

Live Demo

A configurable, Three.js based visual ident for the Turbo City monthly chiptune events.

Turbo City Viewer

My entry to the 2015 Toronto Gen Art Hack party

Live Version

Visual identities is a project created for Super/Collider's 'input' event as part of the Floating Cinema's Fun Palaces art+science initiative.

The project generates images from voice fingerprints, captured via a laptop microphone and translated into wheels of colour via Fast-Fourier Transform Analysis.

The fingerprints are stored and displayed on a live gallery that also shows any fingerprint being collected live.

You can create your own voice fingerprint here

A limited-run poster print of 24 selected prints is available here

A sound toy created for amusement.

Live Version

A HTML5 Implementation of Conway's Game of life in an equilateral triangular grid. Initially created on processing as an audio visualiser for my live visual performances, I decided to port it to HTML5 in order to be able to display it on mobiles and desktops with ease. It allows the user to take captures of the state of the grid, but it's best enjoyed live

Triangles

Noise is the basic currency of computer graphics, and for some reason, an adjective for weird music. In these captures from my live noise field synth module, you can explore the relationship between noise and colour.

The following gifs attempt to capture the excitement and geometric dance of my live visual performances. They have been mostly captured from the sound-reactive Processing sketches that I use for my live performances, which create, adapt and remix shaders found on line, connecting them to music to properly stimulate the audience's visual cortex.

The internet of things is becoming part of our commonplace landscape. In this series of collages, I'm exploring a world in which connected devices have conquered our lives, and become part of our landscape.

Generative designs inspired by this book

A project created in collaboration with Red Badger.